Review | Anne Champion’s The Good Girl Is Always A Ghost

by Anna Sandy-Elrod Anne Champion’s The Good Girl is Always a Ghost inhabits, identifies, praises, and laments the multifaceted, complex nature of womanhood. Champion writes odes to women—Sandra Bland, Amy Winehouse, Billie Holliday—and poems in their personas—Indira Ghandi, Bettie Page, Eva Perón—in a way that devastates, humbles, and breathes life into women across history, across... Continue Reading →

Review | Jehanne Dubrow’s Dots & Dashes

by Cecilia Savala In Dots & Dashes, Winner of the 2016 Crab Orchard Review Series in Poetry Open Competition Award, Jehanne Dubrow speaks to other military families in the voice of academia and to academics in the voice of a Navy wife. Her poems, written in strict form like military rules, mirror the posture of... Continue Reading →

Micro Prose: Mothing by Amy A. Whitcomb

MOTHING Not long ago, I wanted nothing more than for him to pay as much attention to me as he does to moth genitalia. Hiking into remote ridges, rigging the white sheet and black light, sitting outside through the night, face up close to the swaying sheet. Empty vials quickly become flutter-filled, shaking, then still.... Continue Reading →

nonsermon #8: my soul

by Ben Lewellyn-Taylor A few months ago, I bought some flowers for my wife. She likes Queen Anne’s Lace, Anne being her grandmother’s name and their shared favorite flower, but the florist had none, so I settled for a mixture of orange and white flowers, the names of which I have since forgotten. In the... Continue Reading →

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